This project is a yearlong online written and visual document of my voyage towards completion of my MFA at School of the Art Institute of Chicago in May 2011.

RYTHM33, April 8th, 2010

RYTHM33, April 8th, 2010
photo:Miao Jiaxin

Tuesday, June 29, 2010

EIGHTEEN: WELCOME to Australia//3 days around Sydney Biennale

17th Sydney Biennale, The Beauty of Distance: Songs of Survival in a precarious age

photo Katya Grokhovsky, Paul McCarthy, Ship of Fools, Ship Adrift I, 2009, Pier 2/3

photo Katya Grokhovsky, Sydney, 2010

photo Katya Grokhovsky, Rohan Wealleans, He with Glands of Wasp, detail, 2009, Cockatoo Island


photo Katya Grokhovsky, 2010, Sydney

photo Katya Grokhovsky, 2010, Sydney

photo Katya Grokhovsky, Shen Shaomin, Summit: Mao, 2009, Cockatoo Island


photo Katya Grokhovsky, Friendship?, Sydney, 2010

photo Katya Grokhovsky, 2010, Sydney, for your entertainment

photo Katya Grokhovsky, Cai Gou-Qiang, Inopportune: Stage one, 2004, Cockatoo island


photo Katya Grokhovsky, 2010, Sydney Tourist

photo Katya Grokhovsky, for your entertainment : part 2, 2010

photo Katya Grokhovsky, Roxy Paine, Neuron, 2010, in front of MCA, Sydney

photo Katya Grokhovsky, Slave Pianos, 2009, Cockatoo Island

photo Katya Grokhovsky, Angela Ellsworth, Seer Bonnets, Installation detail, 2009, MCA Sydney


photo Katya Grokhovsky, Cockatoo Island, Sydney Biennale, 2010

photo Katya Grokhovsky, Shen Shaomin, Summit: Lenin, 2009, Cockatoo Island

photo Katya Grokhovsky, Shen Shaomin, Summit: Fidel Castro, breathing still, 2009, Cockatoo Island

photo Katya Grokhovsky, Kader Attia, Kasbah, 2009, Cockatoo island


photo Katya Grokhovsky, Botanical Gardens, 2010, Sydney

drrrriiink in moderation: sings the man, Australian flag proudly behind him: welcome to OZ.
it'll hurt .I'll bleed. badly. scars? for life perhaps? need I feel everything so bodily, inside me? Angela Ellsworth's installation at the MCA: pearl pin bonnets: I watch on in silence: imaginary blood trickling down my face : Louise Bourgeois' bronze sweaters and red ink drawings, a vase with a dead bouquet of flowers inside it, stands lonely near her works.Christian Jankowski, Bill Viola, Biennale ferry to the Cockatoo Island, a former convict site. Oh Australia. I have never seen your convict sites. I want to learn. I am thirsty for your true dark veiled history, my adopted one. Russian aes+f group, Love it. A Requiem for Capitalism in digital format and 9 channel circular installation, Happiness Island is being built as we speak: yes, it is actually happening to all of us: enslaved hanged convict piano, bringing culture?, cars under the ceilings, fireworks fireworks, tin roofs of the poor, see? Deeper and faster I sink into fearful contemplation: the world is f.u.c.k.e.d.....Yvonne Todd's uncanny fake-toothy staged photo-performances, Yayoi Kusama singing her sad song on video, surrounded by mirrored dots and obsessions, she sings about antidepressants and greatness? fresh ocean air fills my lungs. Pier 2/3: Paul McCarthy's Ship of Fools is going nowhere and is adrift in the fatty over-consumption of empty idolisation of our age: hooray hooray hooray, Thank you Paul. We are: mentally ill-advised, deadly and overpriced. Welcome to here. Acrylic white paint on Aboriginal skin. Take a picture, take a picture: Just for you, Darling....